Diego Guebel (Director)
Little is known about Diego Guebel, a figure with a modest footprint in Director. Stay tuned for updates as more details become available.
Works
CQC - Custe o Que Custar
Custe o Que Custar is a Brazilian television comedy show, produced by Eyeworks and aired weekly by Rede Bandeirantes since March 17, 2008. It is presented by Marcelo Tas, and has in its team Marco Luque and Oscar Filho. The news reports are conducted by Felipe Andreoli, Monica Iozzi, Mauricio Meirelles, Ronald Rios and Dani Calabresa. The program covers weekly events from Politics, Arts and Sports, from a humorous and satirical viewpoint. It oftens uses metalanguage by satyrizing the very program on live transmissions, and introducing graphics and sound effects from the subjects. The format comes from Argentina, when it was originated under the name Caiga Quien Caiga, created in 1995 by Mario Pergolini
Release Date2008-03-17
DepartmentCreator
JobCreator
Vote Count5
La Ciénaga
Amid the sweltering summer heat in northern Argentina, two middle-class families retreat to a crumbling country estate and a modest townhouse, where strained relationships, simmering tensions, and the presence of children and servants quietly expose the fractures of family life. Between idle days, gossip, and unspoken desires, the boundaries of class, tradition, and faith are reflected in their everyday interactions.
Release Date2001-04-12
DepartmentProduction
JobCo-Producer
Vote Count143
El Donante
Release Date2012-05-22
DepartmentDirecting
JobDirector
Episode Count13
Vote Count1
Amia
Ten years after the terrorist attack on the AMIA, this documentary highlights unknown aspects, as well as links to the terrorist attack on the Israeli embassy.
Release Date2004-08-27
DepartmentDirecting
JobDirector
Mundial 78. La historia paralela
The documentary reveals the narcotic effect the '78 World Cup had on Argentine society, when Kempes' goals masked the horrors of the dictatorship. Recalling the attitudes of Adolf Hitler at the 1936 Berlin Olympics and Benito Mussolini during the 1934 World Cup in Italy, the film argues that the 1978 World Cup was "one of the most blatant political exploitations in the history of sport." Through previously unseen testimonies, survivors' accounts, and previously unreleased archival footage, the film portrays the contradictory duality between the euphoria of a people passionate about football and the simultaneous horror suffered by the victims of a bloody dictatorship.
Release Date2003-06-27
DepartmentDirecting
JobDirector
Vote Count1