Enoch Mailangi (known_for_department.creator)

Grape Steak

Based on real gossip and violence. Vibrant colour invites us into a bat forest as someone waits, strips, for trade. A drummer is interviewed about a violent confrontation as he smashes his kit. A slim figure limps out of the darkness covered in blood to the sounds of New York's underground popstar Macy Rodman. A car bangs along an old dirt road and picks up stragglers, lost overnight who seem less affected than maybe they should be considering... Grape Steak is a wishfully ambient portal, a love-poem of trauma and humiliation set in Sydney, a slow comedy for a come-down, made resourcefully and communally over five years.

Release Date2023-01-27

Charactersd Hayley

Invisible Boys

Everyone in a small town assumes they know you, but when a closeted gay adolescent hooks up with a married guy, it has far-reaching effects for a group of teens who were previously invisible.

Release Date2025-02-13

DepartmentWriting

JobWriter

Episode Count2

Vote Count15

Crazy Fun Park

A shy teen wants desperately to fit in and enjoy his high school years if only his dead best friend and a posse of rotting ghouls would stop sabotaging him at every turn.

Release Date2023-01-01

DepartmentWriting

JobWriter

Episode Count1

Vote Count6

All My Friends Are Racist

In a survival-of-the-fiercest, two twenty-something black millennials decide it's time to call the racists out. They think it could cause a revolution, instead it causes a downgrade in lifestyle.

Release Date2021-08-24

DepartmentWriting

JobWriter

Episode Count1

Blackfellas Who Can't Dance

Nathan's fever dream of a gym session grows complicated when he realises that he has feelings for a new member, and the two proceed to dance around their desires.

Release Date2024-05-03

DepartmentDirecting

JobDirector

Strawberry Kisses

Trust Enoch to make a joke about the bi-larious strawberry needlegate. This short stars Tommy Misa spewing up blood - my two biggest fears are performing illness and nobody believing me, and sharing body fluids with nobody. It could convey overloaded capitalist-heavy subtexts about food shortages. But (and I know it’s bad to start a sentence with ‘but’) it’s the fantasy of poisoning children that reminds us this work is about hysterical news and media panic as entertainment. It’s very Sarah Paulson, somehow…

DepartmentDirecting

JobDirector