Enoch Mailangi (known_for_department.creator)
Little is known about Enoch Mailangi, a figure with a modest footprint in known_for_department.creator. Stay tuned for updates as more details become available.
Works
Grape Steak
Based on real gossip and violence. Vibrant colour invites us into a bat forest as someone waits, strips, for trade. A drummer is interviewed about a violent confrontation as he smashes his kit. A slim figure limps out of the darkness covered in blood to the sounds of New York's underground popstar Macy Rodman. A car bangs along an old dirt road and picks up stragglers, lost overnight who seem less affected than maybe they should be considering... Grape Steak is a wishfully ambient portal, a love-poem of trauma and humiliation set in Sydney, a slow comedy for a come-down, made resourcefully and communally over five years.
Release Date2023-01-27
Charactersd Hayley
All My Friends Are Racist
In a survival-of-the-fiercest, two twenty-something black millennials decide it's time to call the racists out. They think it could cause a revolution, instead it causes a downgrade in lifestyle.
Release Date2021-08-24
DepartmentWriting
JobWriter
Episode Count1
Crazy Fun Park
A shy teen wants desperately to fit in and enjoy his high school years if only his dead best friend and a posse of rotting ghouls would stop sabotaging him at every turn.
Release Date2023-01-01
DepartmentWriting
JobWriter
Episode Count1
Vote Count6
Blackfellas Who Can't Dance
Nathan's fever dream of a gym session grows complicated when he realises that he has feelings for a new member, and the two proceed to dance around their desires.
Release Date2024-05-03
DepartmentDirecting
JobDirector
Strawberry Kisses
Trust Enoch to make a joke about the bi-larious strawberry needlegate. This short stars Tommy Misa spewing up blood - my two biggest fears are performing illness and nobody believing me, and sharing body fluids with nobody. It could convey overloaded capitalist-heavy subtexts about food shortages. But (and I know it’s bad to start a sentence with ‘but’) it’s the fantasy of poisoning children that reminds us this work is about hysterical news and media panic as entertainment. It’s very Sarah Paulson, somehow…
DepartmentDirecting
JobDirector