The weekend has landed.
Cinco individuos (Jip, Lulu, Koop, Nina y Moff) sobreviven al tedio de sus rutinarios trabajos con el único objetivo de vivir a fondo el fin de semana. Jip y Lulu tienen problemas de pareja: Jip se siente inseguro después de fallar varias veces durante su actuación de esa noche, y el talento de Lulu para arrimarse al sujeto equivocado empieza a deprimirla. Nina y Koop tienen una buena relación (aunque él no confía nada en ella), y Moff, el amigo que les pasa el material, está obsesionado por un subidón rápido.
"Human Traffic" (1999), a vibrant and audacious film by Fruit Salad Films and Fís Éireann/Screen Ireland, captures the essence of the late '90s club culture in the United Kingdom and Ireland. Directed by Justin Kerrigan, the movie delves into the lives of five friends navigating the highs and lows of their weekend escapades in Cardiff, Wales. With a pulsating soundtrack and a raw, unfiltered look at youth culture, "Human Traffic" stands out as a quintessential portrayal of a generation seeking escape and connection through the nightlife. The film's strength lies in its authentic depiction of the characters' struggles and aspirations. Jip, played by John Simm, embodies the existential angst of young adults caught between the monotony of their daily lives and the liberating chaos of the weekend. His friends, including the vivacious Lulu (Lorraine Pilkington) and the anxious Koop (Shaun Parkes), each bring their unique perspectives and personal battles to the narrative, creating a rich tapestry of human experiences. The dialogue, peppered with witty one-liners and cultural references, adds a layer of humor and relatability that resonates with audiences. "Human Traffic" also serves as a time capsule, encapsulating the era's fashion, music, and social dynamics. From the iconic club scenes featuring DJs like Pete Tong to the casual drug use and hedonistic parties, the film does not shy away from showcasing the realities of the rave culture. Yet, it manages to balance this with moments of introspection and vulnerability, offering a nuanced view of its characters' lives beyond the dance floor. Ultimately, "Human Traffic" is more than just a film about partying; it is a heartfelt exploration of friendship, identity, and the search for meaning in a world that often feels overwhelming. Its enduring appeal lies in its ability to capture the spirit of a generation while remaining relevant to new audiences, making it a timeless piece of cinema from Fruit Salad Films and Fís Éireann/Screen Ireland.
Año1999
Presupuesto600000$
Duración99 min
Ingresos4000000$
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GénerosComediaDrama
Países de producciónUnited KingdomIreland
