La sombra de ésta mujer opaca su amor.
Al poco tiempo de perder a su esposa Rebeca, el aristócrata inglés Maxim De Winter conoce en Montecarlo a una joven humilde, dama de compañía de una señora americana. De Winter y la joven se casan y se van a vivir a la mansión inglesa de Manderley, residencia habitual de De Winter. Pronto la señora Winter se da cuenta de que no puede borrar en su marido el recuerdo de su difunta esposa.
"Rebecca," the 1940 cinematic masterpiece produced by Selznick International Pictures, is a haunting adaptation of Daphne du Maurier's novel that delves deep into the themes of love, jealousy, and the oppressive weight of the past. Directed by the legendary Alfred Hitchcock, the film weaves a suspenseful narrative around a young woman, known only as the second Mrs. de Winter, who marries a wealthy widower and moves into his grand estate, Manderley. The shadow of the first Mrs. de Winter, the titular Rebecca, looms large over the estate and its inhabitants, creating an atmosphere thick with tension and psychological torment. The film's meticulous attention to detail, from the opulent set designs to the evocative cinematography, captures the eerie beauty of Manderley and the suffocating presence of Rebecca, making it a timeless classic in the realm of psychological thrillers. The performances in "Rebecca" are nothing short of stellar, with Joan Fontaine delivering a poignant portrayal of the naive and vulnerable second Mrs. de Winter. Her character's journey from innocence to self-awareness is both compelling and heart-wrenching, as she navigates the treacherous waters of her new life under the watchful eye of the sinister housekeeper, Mrs. Danvers, played with chilling precision by Judith Anderson. Laurence Olivier's portrayal of the brooding and enigmatic Maxim de Winter adds layers of complexity to the film, as his character grapples with his own demons and the haunting memory of his first wife. The dynamic between these three characters drives the narrative forward, culminating in a series of revelations that unravel the mystery of Rebecca's true nature and the secrets hidden within Manderley's walls. One of the most striking aspects of "Rebecca" is its use of atmosphere and mood to create a sense of foreboding and unease. Hitchcock masterfully employs shadows, mirrors, and the vast, echoing spaces of Manderley to build a palpable sense of dread that permeates every scene. The film's score, composed by Franz Waxman, further enhances this atmosphere, with its haunting melodies and dramatic crescendos that underscore the emotional turmoil of the characters. The combination of visual and auditory elements creates an immersive experience that draws the audience into the psychological labyrinth of the story, making "Rebecca" a standout example of Hitchcock's genius in manipulating the medium of film to evoke deep emotional responses. "Rebecca" not only stands as a testament to Hitchcock's early work in Hollywood but also as a landmark film in the genre of psychological thrillers. Its exploration of themes such as identity, memory, and the destructive power of obsession resonates with audiences even today, making it a film that continues to captivate and unsettle. The film's critical and commercial success, including its Academy Award win for Best Picture, underscores its enduring impact on cinema. "Rebecca" remains a hauntingly beautiful and profoundly disturbing journey into the heart of darkness, a film that lingers in the mind long after the credits roll.
Año1940
Presupuesto1288000$
Ingresos7592465$
Ver en línea duckduckgo
GénerosMisterioRomanceSuspenseDrama
Países de producciónUnited States of America
