Más intrépida! Más descarada! Y mucho, mucho más Bardot!
Paul Javal (Michel Piccoli), un autor dramático francés, acepta reescribir algunas escenas para "La Odisea", una película que se va a rodar en Capri bajo la dirección del renombrado director alemán Fritz Lang (Fritz Lang). En un primer encuentro con el productor, el arrogante norteamericano Prokosch (Jack Palance), el escritor deja que su mujer, la bella Camille (Brigitte Bardot), se vaya en el coche con el productor a la finca de éste, lo cual da lugar a un grave mal entendido entre el escritor y su esposa, que cree que la ha ofrecido como moneda de cambio para obtener un mejor pago. Como consecuencia de esta situación, el escritor se verá inmerso en una dolorosa crisis matrimonial.
"Le Mépris," a 1963 cinematic masterpiece directed by Jean-Luc Godard, is a profound exploration of love, art, and the corrosive nature of the film industry. Produced by Rome-Paris Films and Les Films Concordia in a collaboration between France and Italy, the film stars Brigitte Bardot and Michel Piccoli as a couple whose relationship unravels against the backdrop of a troubled film production. The narrative is loosely based on the novel "Il Disprezzo" by Alberto Moravia, and it delves into the complexities of human emotions with a visually stunning and intellectually engaging approach. The film's setting in Italy, particularly around the iconic Cinecittà studios and the breathtaking landscapes of Capri, adds a layer of authenticity and beauty to the story. Godard's use of vibrant colors and meticulous framing not only enhances the visual appeal but also serves as a metaphor for the characters' internal struggles. The opening sequence, featuring Bardot's character Camille in a state of undress, is both provocative and symbolic, setting the tone for the film's exploration of superficiality versus genuine emotion. Central to "Le Mépris" is the disintegration of the relationship between Paul (Michel Piccoli) and Camille (Brigitte Bardot). As Paul becomes increasingly involved in the production of a film directed by the domineering Fritz Lang (playing himself), he neglects his wife, leading to her growing contempt. Godard masterfully captures the nuances of their interactions, using long takes and close-ups to convey the subtle shifts in their emotions. The dialogue, often improvised, adds a raw and realistic edge to their exchanges, making the audience feel the weight of their crumbling marriage. "Le Mépris" is not just a film about a failing relationship; it is also a critique of the film industry itself. The character of Jeremy Prokosch, played by Jack Palance, represents the crass commercialism that Godard despised. His attempts to manipulate the film's direction and his overt sexual advances towards Camille highlight the exploitation and moral decay that can pervade the world of cinema. Through this narrative, Godard invites viewers to reflect on the integrity of art and the personal costs of artistic compromise, making "Le Mépris" a timeless and thought-provoking work.
Año1963
Presupuesto900000$
Ingresos528428$
Ver en línea duckduckgo
GénerosDramaRomance
Países de producciónFranceItaly
