Nada es lo que parece.
La doctora Margaret Ford, una eminente psiquiatra con una vida personal poco excitante, tiene un joven paciente que se ha metido en un buen lío: debe 25.000 dólares a unos individuos que están dispuestos a eliminarlo si no salda la deuda. Esa misma noche la doctora acude a un local llamado la "Casa de juegos" con la intención de pagar la deuda de su paciente y conoce a Mick, un elegante timador profesional por el que se sentirá atraída.
"House of Games" (1987), a psychological thriller directed by David Mamet and produced by Filmhaus in the United States, masterfully intertwines the worlds of psychiatry and con artistry. The film follows Margaret Ford, a successful psychiatrist portrayed by Lindsay Crouse, who becomes entangled in the dangerous allure of a charismatic con man, Mike, played by Joe Mantegna. As Margaret delves deeper into the seedy underworld of gambling and deceit to research her book on compulsive behavior, she finds herself ensnared in a complex web of lies and manipulation. Mamet's sharp dialogue and meticulous direction create an atmosphere thick with tension and uncertainty, keeping viewers on the edge of their seats. The film's setting, primarily in the dimly lit, smoke-filled gambling dens of Chicago, adds a gritty realism that enhances the narrative's intensity. The visual style, characterized by shadowy interiors and close-up shots, mirrors Margaret's descent into the murky world of cons, reflecting her growing paranoia and disorientation. Mamet's background in theater is evident in the film's tightly controlled pacing and the actors' compelling performances, particularly Crouse's portrayal of a woman unraveling under the strain of her dual life. The supporting cast, including notable performances by Ricky Jay and Lilia Skala, further enriches the film's ensemble, adding layers of authenticity and depth. "House of Games" is not just a thriller but also a clever exploration of trust and deception. Mamet's script is filled with twists and turns that challenge the audience's perceptions, blurring the lines between reality and illusion. The film's climax, a masterclass in misdirection, leaves viewers questioning everything they have seen, reinforcing the theme that in the world of cons, nothing is as it seems. This narrative complexity, combined with Mamet's signature style, makes "House of Games" a standout film in the genre of psychological thrillers. Ultimately, "House of Games" stands as a testament to David Mamet's skill as a filmmaker and storyteller. Produced by Filmhaus, the movie not only entertains but also provokes thought about the nature of deception and the human psyche. Its enduring appeal lies in its ability to keep audiences guessing until the very end, making it a timeless piece of cinema that continues to captivate and intrigue viewers decades after its release.
Año1987
Duración102 minuto
Ingresos2585639$
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GénerosCrimenSuspenseDrama
Países de producciónUnited States of America
