El amor es más poderoso que la venganza
Gloria Duque, Aurora, su hermana Ana y Paloma han cometido un robo fallido, por el que Aurora está en la cárcel. Mientras tanto, unos traficantes mexicanos que acaban de llegar a España contratan a Ana. Félix, el jefe de la banda, le propone casarse e irse a vivir a México con él. Gabriel, un hombre aparentemente frío, se encarga de los trabajos sucios de Félix, pero con la condición de no hacer nunca daño a una mujer. Gloria se va también a México para trabajar para la banda. Una vez allí, se da cuenta de lo desgraciada que es Ana, aunque viva en una jaula de oro. Sin embargo, entre tragos y palizas, ha ideado un plan para vengarse de Félix. Con la ayuda de Paloma, Aurora sale por fin de la cárcel y se une a sus amigas en México para llevar a cabo el peligroso plan...
"Sólo quiero caminar" (2008), a cinematic gem co-produced by Canana in Spain and Mexico, is a gripping narrative that delves into the complexities of human desperation and the lengths to which individuals will go to escape their circumstances. Directed by the acclaimed Agustín Díaz Yanes, the film follows the intertwined lives of four women who embark on a perilous journey to the United States, driven by the promise of a better life. The film's title, translating to "I Just Want to Walk," encapsulates the raw and poignant essence of their quest for freedom and survival. The ensemble cast, featuring luminaries such as María Victoria, Ariadna Gil, and Diego Luna, delivers powerful performances that breathe life into the characters' struggles and aspirations. The film's setting, spanning from the vibrant yet dangerous streets of Mexico City to the harsh landscapes of the American border, serves as a vivid backdrop that enhances the narrative's intensity. The cinematography captures the stark beauty and unforgiving nature of the environments, reflecting the characters' internal and external battles. "Sólo quiero caminar" is not just a tale of migration; it is a profound exploration of the human condition, touching on themes of loyalty, betrayal, and the moral ambiguities that arise in desperate situations. The screenplay, penned by Díaz Yanes himself, weaves a complex tapestry of emotions and ethical dilemmas, keeping the audience engaged and reflective throughout. The film's pacing is deliberate, allowing for moments of tension and introspection that add depth to the storytelling. Ultimately, "Sólo quiero caminar" stands out as a testament to Canana's commitment to producing thought-provoking cinema that transcends borders. It challenges viewers to consider the broader implications of migration and the universal desire for a better life, making it a poignant and relevant piece of contemporary filmography. Through its compelling narrative and strong performances, the film leaves a lasting impact, urging audiences to empathize with the plight of those who dare to dream of walking towards a brighter future.
Año2008
Presupuesto19000000$
Duración129 min
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GénerosCrimenDramaSuspense
Países de producciónSpainMexico
