Asalto al furgón blindado (1978)

"Money Movers" (1978), a gripping Australian crime thriller, was a collaborative production between the New South Wales Film Corporation and the South Australian Film Corporation. Directed by Bruce Beresford, the film delves into the high-stakes world of armored car heists, drawing inspiration from real-life events. Set against the backdrop of Sydney, "Money Movers" captures the tension and danger inherent in the security industry, offering viewers a suspenseful narrative that keeps them on the edge of their seats. The plot centers around a meticulously planned heist targeting the Money Movers security company. The film's protagonist, Brian Jackson, portrayed by Terence Donovan, is a former military man hired to overhaul the company's security measures. Unbeknownst to him, his arrival coincides with a plot orchestrated by a disgruntled employee, Darryl, played by Ed Devereaux, and a gang of criminals led by the ruthless Eric Jackson, portrayed by Tony Bonner. The ensuing cat-and-mouse game between the robbers and the security team forms the crux of the film, culminating in a thrilling climax. "Money Movers" stands out for its gritty realism and strong performances, particularly from Donovan and Bonner. The film's attention to detail in depicting the inner workings of the security industry adds a layer of authenticity that enhances the overall viewing experience. Cinematographer Don McAlpine's work is noteworthy, as he skillfully captures the tension and claustrophobia of the armored vehicles and the sprawling urban landscape of Sydney. Despite its modest budget, "Money Movers" achieved critical acclaim and commercial success, cementing its place as a notable entry in Australian cinema. The film's exploration of themes such as loyalty, betrayal, and the allure of easy money resonates with audiences, making it a timeless piece of crime drama. "Money Movers" not only showcases the talent and potential of Australian filmmakers but also serves as a testament to the country's burgeoning film industry in the late 1970s.