A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.
"Les deniers du culte," a 1997 French documentary produced by Canal+ and Kalamazoo Films, delves into the intricate world of religious finances. Directed by Marcela Said and Jean-Charles Deniau, the film meticulously examines the economic structures and financial practices of various religious organizations in France. Through a series of interviews with religious leaders, financial experts, and former members, the documentary sheds light on the often opaque financial dealings that support these institutions. It raises critical questions about transparency, accountability, and the ethical implications of how religious groups manage and utilize their funds. The documentary's strength lies in its balanced approach, presenting a diverse range of perspectives without sensationalizing the subject matter. Viewers are introduced to the financial operations of mainstream religions as well as smaller, lesser-known sects, providing a comprehensive overview of the landscape. The filmmakers' commitment to thorough research is evident in the detailed analysis of financial statements, tax exemptions, and the flow of donations. This meticulous approach not only informs but also engages the audience, encouraging them to think critically about the intersection of faith and finance. One of the most compelling aspects of "Les deniers du culte" is its exploration of the personal stories behind the numbers. The documentary features poignant testimonies from individuals who have experienced the financial demands of their religious communities firsthand. These narratives add a human dimension to the film, illustrating the real-life impact of financial practices on believers. By weaving these personal accounts with broader economic analysis, the documentary effectively highlights the tension between spiritual devotion and financial exploitation. Ultimately, "Les deniers du culte" serves as a thought-provoking examination of a topic that is often shrouded in secrecy. It challenges viewers to consider the ethical responsibilities of religious organizations and the need for greater transparency in their financial dealings. The film's relevance extends beyond France, offering valuable insights into a global issue that continues to spark debate and discussion. As a pioneering work in the realm of religious finance, "Les deniers du culte" remains a significant contribution to documentary filmmaking.
Año1997
Duración90 min
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GénerosDocumentalTerrorCiencia ficción
Países de producciónFrance
