ラスト・シューティスト (1976)

"The Shootist," released in 1976 and produced by The De Laurentiis Company and Paramount Pictures, stands as a poignant and fitting swan song for the legendary actor John Wayne. Directed by Don Siegel, the film marks Wayne's final cinematic appearance, embodying the character of J.B. Books, a legendary gunslinger diagnosed with terminal cancer. Set in the waning days of the Old West, the narrative unfolds in Carson City, Nevada, in 1901, where Books seeks out an old friend and a doctor, only to confront his mortality and the changing times around him. Wayne's performance is imbued with a reflective gravity, showcasing a man reckoning with his past and the inevitable end, making "The Shootist" a compelling study of legacy and dignity. The film's script, penned by Miles Hood Swarthout and Scott Hale, is based on the novel by Glendon Swarthout, and it deftly balances the mythos of the Western genre with a more introspective and somber tone. The supporting cast, including Lauren Bacall, Ron Howard, and James Stewart, adds depth and richness to the story, each character representing different facets of the world Books navigates. Bacall plays the strong-willed widow Bond Rogers, who reluctantly offers Books a room in her boarding house, while Howard portrays her earnest son Gillom, who becomes a protégé of sorts to the aging gunfighter. Stewart's brief but impactful role as the doctor who delivers the grim diagnosis adds a layer of solemnity to the proceedings. Visually, "The Shootist" captures the transition from the rugged frontier to a more civilized society, with cinematographer Bruce Surtees employing a muted color palette that reflects the film's melancholic mood. The production design meticulously recreates the turn-of-the-century setting, from the bustling streets of Carson City to the intimate interiors of the Rogers' boarding house. The film's pacing is deliberate, allowing for moments of quiet introspection that underscore Books' internal struggle and the encroaching modernity that threatens to erase the world he once knew. In its final act, "The Shootist" delivers a climactic yet restrained showdown that encapsulates the film's themes of honor and the passage of time. Rather than glorifying violence, the film presents it as a tragic necessity, a last stand that underscores Books' desire to die on his own terms. The ending, poignant and reflective, leaves audiences with a lasting impression of a man who, despite his violent past, seeks redemption and peace. "The Shootist" remains a testament to John Wayne's enduring legacy and a thoughtful meditation on the end of an era, both for its protagonist and the Western genre itself.