少女は自転車にのって (2012)

"وجدة" (Wajda), released in 2012, is a poignant cinematic journey that delves into the life of a young girl navigating the complexities of adolescence in a conservative society. Produced by Razor Film Produktion and Highlook Communications Group, this German-Jordanian collaboration offers a compelling narrative set against the backdrop of Amman, Jordan. The film follows Wajda, a determined and spirited 10-year-old girl, as she challenges societal norms by entering a Quran recitation competition to win the prize money needed to buy a bicycle. Through her journey, the film explores themes of gender roles, personal freedom, and the pursuit of dreams in a world that often seeks to confine them. Director Haifaa Al-Mansour masterfully captures the essence of Wajda's world, blending humor and warmth with a keen eye for the subtle tensions that define her environment. The film's setting in Amman is portrayed with authenticity, showcasing the city's vibrant yet traditional atmosphere. Wajda's interactions with her family, friends, and teachers reveal the intricate dynamics of a society grappling with modernity while clinging to age-old traditions. The performances, particularly by the young lead actress Waad Mohammed, are heartfelt and genuine, adding depth to the film's exploration of innocence and resilience. One of the most striking aspects of "وجدة" is its ability to address serious social issues without resorting to heavy-handedness. The film subtly critiques the limitations imposed on women and girls in Saudi society, using Wajda's personal story as a lens to examine broader societal constraints. Her determination to ride a bicycle, an act seen as unconventional for girls in her community, symbolizes her quest for autonomy and self-expression. The narrative weaves these themes seamlessly into the fabric of everyday life, making the film both a specific portrait of one girl's experience and a universal commentary on the human spirit's yearning for freedom. "وجدة" stands out not only for its storytelling but also for its historical significance as the first feature film shot entirely in Saudi Arabia and directed by a Saudi woman. This groundbreaking achievement adds another layer of importance to the film, highlighting the potential for change and progress within the region. As Wajda pedals towards her dreams, the film leaves audiences with a sense of hope and a reminder of the power of individual agency in the face of societal barriers.