突然或る日 私を襲った男への軽蔑ー
脚本家のポールは映画プロデューサーのプロコシュから、フリッツ・ラングが監督する大作映画「オデュッセイア」の脚本の手直しを依頼される。ポールと妻で女優のカミーユはプロコシュの自宅へ招かれるが、ポールが遅れて到着するとカミーユの態度はなぜか豹変しており、彼に対して軽蔑のまなざしを向ける。やがてポールとカミーユは映画のロケのため、カプリ島にあるプロコシュの別荘を訪れるが…。
"Le Mépris," a 1963 cinematic masterpiece directed by Jean-Luc Godard, is a profound exploration of love, art, and the corrosive nature of the film industry. Produced by Rome-Paris Films and Les Films Concordia in a collaboration between France and Italy, the film stars Brigitte Bardot and Michel Piccoli as a couple whose relationship unravels against the backdrop of a troubled film production. The narrative is loosely based on the novel "Il Disprezzo" by Alberto Moravia, and it delves into the complexities of human emotions with a visually stunning and intellectually engaging approach. The film's setting in Italy, particularly around the iconic Cinecittà studios and the breathtaking landscapes of Capri, adds a layer of authenticity and beauty to the story. Godard's use of vibrant colors and meticulous framing not only enhances the visual appeal but also serves as a metaphor for the characters' internal struggles. The opening sequence, featuring Bardot's character Camille in a state of undress, is both provocative and symbolic, setting the tone for the film's exploration of superficiality versus genuine emotion. Central to "Le Mépris" is the disintegration of the relationship between Paul (Michel Piccoli) and Camille (Brigitte Bardot). As Paul becomes increasingly involved in the production of a film directed by the domineering Fritz Lang (playing himself), he neglects his wife, leading to her growing contempt. Godard masterfully captures the nuances of their interactions, using long takes and close-ups to convey the subtle shifts in their emotions. The dialogue, often improvised, adds a raw and realistic edge to their exchanges, making the audience feel the weight of their crumbling marriage. "Le Mépris" is not just a film about a failing relationship; it is also a critique of the film industry itself. The character of Jeremy Prokosch, played by Jack Palance, represents the crass commercialism that Godard despised. His attempts to manipulate the film's direction and his overt sexual advances towards Camille highlight the exploitation and moral decay that can pervade the world of cinema. Through this narrative, Godard invites viewers to reflect on the integrity of art and the personal costs of artistic compromise, making "Le Mépris" a timeless and thought-provoking work.
年1963
予算900000$
収益528428$
オンラインで見る duckduckgo
ジャンルドラマロマンス
製作国FranceItaly
