Stone Pillow (1985)

"Stone Pillow" is a poignant 1985 made-for-television film produced by Gaylord Productions in the United States, directed by George Schaefer. The film stars Lucille Ball in a dramatic departure from her usual comedic roles, portraying an elderly homeless woman named Florabelle 'Florrie' Gunner. Alongside Ball, the film features a strong performance by Daphne Zuniga as a young social worker, Carrie Lang, who becomes deeply involved in Florrie's life. The narrative delves into the harsh realities of homelessness, offering a raw and emotional look at the struggles faced by those living on the streets of New York City. The film's title, "Stone Pillow," metaphorically represents the cold, hard surfaces that serve as beds for the homeless, encapsulating the film's central theme of the dehumanizing conditions they endure. Through Florrie's journey, the audience is exposed to the complexities of homelessness, including mental health issues, societal neglect, and the challenges of reintegration into society. Lucille Ball's performance is particularly noteworthy, as she brings a depth and vulnerability to Florrie that resonates with viewers, showcasing her versatility as an actress beyond her iconic comedic roles. "Stone Pillow" also highlights the efforts of social workers like Carrie, who tirelessly work to provide assistance and hope to the homeless population. The film does not shy away from depicting the bureaucratic hurdles and societal indifference that often hinder these efforts. Through Carrie's character, the film underscores the importance of empathy and action in addressing the plight of the homeless, offering a call to action for viewers to become more aware and involved in helping those in need. Despite its somber subject matter, "Stone Pillow" remains a powerful and important piece of television history. It serves as a reminder of the ongoing issue of homelessness and the need for continued advocacy and support. The film's emotional impact and strong performances, particularly by Lucille Ball, ensure its place as a significant work that continues to resonate with audiences, prompting reflection and, hopefully, action towards improving the lives of the homeless.