One evening, the bell rings at Commissioner Maigret's house. Minister of Construction Puan asks the commissioner to come to his apartment urgently, keeping this request a secret from the police authorities. At the meeting, it turns out that a report disappeared from the minister's apartment, with which Puan was supposed to speak at a government meeting two days later.
"Мегрэ у министра" (1987), produced by the Main editorial board of literary and dramatic programs of Central Television USSR, is a compelling adaptation of Georges Simenon's detective novel. This Soviet television film captures the essence of Inspector Maigret's methodical and insightful approach to solving crimes, set against the backdrop of a ministerial intrigue. The film's atmospheric portrayal of 1950s Paris, despite being produced in the Soviet Union, showcases the universality of Simenon's storytelling and the adaptability of Maigret's character to different cultural contexts. The plot revolves around Inspector Maigret's investigation into the murder of a young woman, which leads him to the doorstep of a French minister. The film adeptly navigates the tension between political power and the pursuit of justice, with Maigret's unwavering dedication to uncovering the truth serving as the narrative's moral compass. The Soviet production brings a unique perspective to the story, emphasizing the social dynamics and class tensions that underpin the crime. Director Vyacheslav Brovkin's vision for "Мегрэ у министра" is evident in the film's meticulous attention to detail and the strong performances of the cast, particularly Boris Tenin as Maigret. Tenin's portrayal captures the stoic yet empathetic nature of the iconic detective, bringing a sense of authenticity to the character that resonates with audiences familiar with Simenon's work. The film's pacing and cinematography effectively build suspense, drawing viewers into the mystery and keeping them engaged until the final revelation. "Мегрэ у министра" stands as a testament to the enduring appeal of Georges Simenon's Maigret series and the creative capabilities of Soviet television during the late 1980s. By successfully transplanting a quintessentially French detective story into a Soviet production, the film not only entertains but also bridges cultural divides, offering a glimpse into the universal themes of justice, morality, and human nature that transcend geographical boundaries.
年1987
エピソード数2
シーズン数1
エピソードの時間
ステータスEnded
オンラインで見る
ジャンル謎ドラマ犯罪
製作国Soviet Union
