He didn't give up, he got down.
A caucasian prospective grad student's affluent family won't pay his way through law school, so he takes tanning pills to darken his skin in order to qualify for an African-American scholarship at Harvard. He soon gets more than he bargained for, as he begins to learn what life is really like for blacks in America.
"Soul Man" (1986), produced by The Steve Tisch Company, is a bold and controversial comedy that delves into the complex issues of race and identity in America. The film follows Mark Watson, a privileged white college student, who, after losing his scholarship, decides to impersonate an African American to secure a new one. This audacious premise, set against the backdrop of the 1980s, provides a unique lens through which to examine societal attitudes towards race, privilege, and the lengths to which individuals will go to achieve their goals. Directed by Steve Miner and starring C. Thomas Howell as Mark Watson, "Soul Man" navigates the tricky waters of racial satire with a mix of humor and heart. The film's narrative is driven by Mark's journey of self-discovery as he immerses himself in African American culture and forms genuine connections with those around him. His evolving relationship with his roommate, Gordon, played by Rae Dawn Chong, adds depth to the story, challenging Mark's preconceived notions and forcing him to confront the ethical implications of his actions. Despite its comedic approach, "Soul Man" does not shy away from addressing serious themes. The film sparks important conversations about cultural appropriation and the consequences of deceit, even as it attempts to find humor in Mark's increasingly absurd situation. The supporting cast, including James Earl Jones and Leslie Nielsen, bring additional layers of nuance and humor, enriching the film's exploration of race relations and personal growth. Ultimately, "Soul Man" remains a provocative and thought-provoking film that, while controversial, offers a unique perspective on the complexities of racial identity and the transformative power of empathy. Its blend of satire and sincerity makes it a memorable entry in the canon of 1980s American cinema, challenging audiences to reflect on their own biases and the societal structures that perpetuate them.
Year1986
Budget4500000$
Runtime104 min
Revenue35000000$
Watch online
GenresComedy
Production countriesUnited States of America
