Michel works there manically solving people's problems over the phone. He is about to tie the knot with his girl friend Isabelle, an airline hostess. She flies all over the world, he hates to leave the office. A series of madcap mishaps involving theft or injury (as you would expect in his line of work) ensues after Michel promises Isabelle nothing will delay their marriage and she promises in turn that she's done flying. Once this unlikely promise is made, it becomes premise and both are forced into escalating white lies to maintain the appearance of keeping their word. Their predicament mounts as Isabelle is forced to do a few more flights, while Michel is compelled to travel to New York, Tunisia, and finally Hong Kong, where they are finally reunited in the throes of a contrived and hilarious drug deal involving a 747, water taxi chases, and martial arts.
"Banzaï" (1983), a vibrant and audacious French film produced by Renn Productions, encapsulates the essence of the early 1980s with its bold storytelling and eclectic visual style. Directed by Claude Zidi, the movie follows the misadventures of Michel Bernardin, a stuntman and daredevil played by the charismatic Coluche, as he navigates the chaotic world of television stunt shows. The film's title, "Banzaï," is a nod to the Japanese exclamation often associated with bravery and recklessness, perfectly mirroring the protagonist's life philosophy. With its blend of slapstick humor, action-packed sequences, and a touch of social commentary, "Banzaï" offers a unique cinematic experience that captures the zeitgeist of its era. The narrative of "Banzaï" is driven by Michel's relentless pursuit of the ultimate stunt, pushing the boundaries of what is considered safe or even possible. His journey is fraught with comedic mishaps and near-death experiences, yet it is his unwavering determination and infectious enthusiasm that endear him to the audience. The film cleverly juxtaposes Michel's personal life, filled with quirky characters and romantic entanglements, against his professional life, where he constantly risks everything for the thrill of the stunt. This duality adds depth to the character, making him more than just a daredevil but a relatable human being striving for something greater. Visually, "Banzaï" is a feast for the eyes, with its vibrant color palette and dynamic camera work that captures the frenetic energy of Michel's stunts. The film's production design and costume choices reflect the flamboyant and sometimes kitschy style of the early 1980s, adding to its nostalgic charm. The soundtrack, featuring a mix of upbeat pop and rock tunes, complements the film's lively atmosphere, enhancing the overall viewing experience. Renn Productions' attention to detail in crafting the film's aesthetic is evident, making "Banzaï" not only a narrative success but also a visual spectacle. "Banzaï" also subtly critiques the entertainment industry's obsession with spectacle and danger, using Michel's story as a lens to examine the fine line between bravery and foolishness. While the film revels in the absurdity and excitement of its stunts, it never loses sight of the human cost, offering moments of introspection amidst the chaos. This balance of humor and seriousness, combined with its energetic pacing and memorable performances, particularly by Coluche, ensures that "Banzaï" remains a beloved and influential piece of French cinema, standing the test of time as a testament to the era's cinematic daring.
Year1983
Runtime102 min
Watch online
GenresComedy
Production countriesFrance
