Speaking of Murder (1957)

"Le rouge est mis" (1957), a gripping French film noir directed by Gilles Grangier and produced by Société Nouvelle des Établissements Gaumont (SNEG) and Cité Films, masterfully intertwines crime, suspense, and moral ambiguity. Set against the backdrop of post-war France, the film follows the story of Louis Bertain, a former convict played by Jean Gabin, who is drawn back into the criminal underworld to protect his family. The narrative is enriched by the atmospheric cinematography that captures the gritty essence of the era, making the audience feel the tension and desperation that permeates the characters' lives. The film's plot is driven by a heist gone wrong, which forces Louis to navigate a treacherous path filled with betrayal and danger. Alongside him is his loyal friend, played by Lino Ventura, whose performance adds depth to the film's exploration of loyalty and friendship amidst chaos. The dynamic between the two leads is a highlight, showcasing the complexities of their bond and the lengths they will go to protect each other. The supporting cast, including the enigmatic femme fatale portrayed by Annie Girardot, further enhances the film's noir credentials, adding layers of intrigue and suspense. "Le rouge est mis" stands out not only for its compelling storyline but also for its social commentary on the struggles of the working class and the allure of crime as a means of survival. The film delves into the moral dilemmas faced by its characters, questioning the boundaries between right and wrong in a world where the odds are stacked against them. This thematic depth, combined with the film's taut pacing and gripping action sequences, makes it a standout example of French cinema from the 1950s. In conclusion, "Le rouge est mis" is a testament to the enduring appeal of film noir, offering a rich tapestry of human emotions and societal issues. The collaboration between SNEG and Cité Films resulted in a cinematic gem that continues to captivate audiences with its raw intensity and thought-provoking narrative. As a piece of French film history, it remains a powerful reminder of the genre's ability to explore the darker corners of the human experience.