He didn't give up, he got down.
Узнав о зачислении на юридический факультет Гарварда, Марк вне себя от радости. Но его отец отказывается платить за учебу. А единственная стипендия предназначена для чернокожего студента. Делать нечего, и приняв специальные препараты, Марк превращается в негра. В университете Марк влюбляется в красивую темнокожую студентку и крутит роман с Уитни, дочкой домовладельца-расиста, у которого снимает жилье. Но тут к Марку неожиданно приезжают родители, накрыв «на месте преступления» и Уитни, и Сару, и его самого в виде негра! Как выпутаться из этой ситуации, чтобы остаться в университете и не потерять Сару? Тем более, что доставшаяся Марку стипендия предназначалась для нее.
"Soul Man" (1986), produced by The Steve Tisch Company, is a bold and controversial comedy that delves into the complex issues of race and identity in America. The film follows Mark Watson, a privileged white college student, who, after losing his scholarship, decides to impersonate an African American to secure a new one. This audacious premise, set against the backdrop of the 1980s, provides a unique lens through which to examine societal attitudes towards race, privilege, and the lengths to which individuals will go to achieve their goals. Directed by Steve Miner and starring C. Thomas Howell as Mark Watson, "Soul Man" navigates the tricky waters of racial satire with a mix of humor and heart. The film's narrative is driven by Mark's journey of self-discovery as he immerses himself in African American culture and forms genuine connections with those around him. His evolving relationship with his roommate, Gordon, played by Rae Dawn Chong, adds depth to the story, challenging Mark's preconceived notions and forcing him to confront the ethical implications of his actions. Despite its comedic approach, "Soul Man" does not shy away from addressing serious themes. The film sparks important conversations about cultural appropriation and the consequences of deceit, even as it attempts to find humor in Mark's increasingly absurd situation. The supporting cast, including James Earl Jones and Leslie Nielsen, bring additional layers of nuance and humor, enriching the film's exploration of race relations and personal growth. Ultimately, "Soul Man" remains a provocative and thought-provoking film that, while controversial, offers a unique perspective on the complexities of racial identity and the transformative power of empathy. Its blend of satire and sincerity makes it a memorable entry in the canon of 1980s American cinema, challenging audiences to reflect on their own biases and the societal structures that perpetuate them.
Год1986
Бюджет4500000$
Продолжительность104 min
Доход35000000$
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Жанрыкомедия
Страны производстваUnited States of America