Поцелуй со смертью (1996)

"Kissed," a 1996 film produced by Boneyard Film Company Inc. and British Columbia Film in Canada, is a poignant exploration of love, death, and the boundaries of societal norms. Directed by Lynne Stopkewich and based on the short story "We So Seldom Look on Love" by Barbara Gowdy, the film delves into the life of Sandra Larson, portrayed by Molly Parker, a young woman with an unusual fascination with death. From a young age, Sandra finds herself drawn to the beauty and mystery of the deceased, leading her to work at a funeral home where she can be close to the dead. This unique perspective on love and intimacy challenges viewers to reconsider their own understanding of these concepts. The narrative of "Kissed" unfolds as Sandra navigates her complex emotions and relationships, particularly with her boyfriend Matt, played by Peter Outerbridge. Matt struggles to understand and accept Sandra's necrophilic tendencies, creating a tension that drives the film's emotional core. The film's visual style, characterized by dreamlike sequences and a hauntingly beautiful score, enhances the ethereal quality of Sandra's experiences. Stopkewich's direction masterfully balances the film's more controversial elements with a deep sense of empathy and understanding, making "Kissed" a compelling and thought-provoking work. "Kissed" also stands out for its bold and unapologetic portrayal of a taboo subject. Rather than sensationalizing Sandra's necrophilia, the film treats it with a nuanced and respectful approach, inviting audiences to see beyond the surface-level shock value. This is achieved through Molly Parker's captivating performance, which imbues Sandra with a sense of innocence and vulnerability, despite the unconventional nature of her desires. The film's willingness to explore such a controversial topic with sensitivity and depth is a testament to its artistic integrity and courage. In the landscape of Canadian cinema, "Kissed" remains a significant and daring work that pushes the boundaries of storytelling. Its exploration of love and death through the lens of necrophilia is both unsettling and mesmerizing, leaving a lasting impact on viewers. The film's success lies in its ability to provoke thought and discussion about the nature of love and the limits of societal acceptance, making it a standout piece in the Boneyard Film Company Inc. and British Columbia Film's catalog.