Советский полнометражный комедийный сатирический киноальманах, состоящий из восьми новелл - (Дачурка, Влип, Сон в руку, Гудок, В поезде, Увертюра, Расплата, Жалкий жребий), одной интермедии с шимпанзе и мультфильме - (Миллионер) о бульдоге. Снят редакцией всесоюзного сатирического киножурнала «Фитиль» на нескольких киностудиях страны в 1963 году.
"Большой «Фитиль»" (1963), a cinematic gem produced by Mosfilm in the Soviet Union, is a satirical masterpiece that brilliantly skewers the bureaucratic absurdities and social hypocrisies of its time. Directed by Eldar Ryazanov, this film is an extension of the popular Soviet satirical series "Фитиль" (Fuse), which was known for its sharp wit and incisive commentary on everyday life. The film cleverly uses humor to expose the inefficiencies and moral failings within Soviet society, making it both a product of its era and a timeless critique of human folly. The narrative of "Большой «Фитиль»" is a series of interconnected vignettes, each highlighting different aspects of Soviet life, from the mundane to the absurd. One memorable segment features a hapless bureaucrat who becomes entangled in a web of red tape, illustrating the Kafkaesque nature of Soviet bureaucracy. Another segment humorously critiques the societal obsession with status and appearances, as characters go to ridiculous lengths to maintain a facade of respectability. Through these vignettes, the film not only entertains but also prompts viewers to reflect on the deeper issues plaguing their society. What sets "Большой «Фитиль»" apart is its bold use of satire at a time when such criticism could be risky. The film's ability to navigate the fine line between humor and critique is a testament to the skill of its director and writers. Ryazanov's deft touch ensures that the film remains engaging and entertaining, even as it delivers its pointed social commentary. The performances are equally noteworthy, with actors delivering their roles with a perfect blend of comedic timing and subtle critique, making the film's messages resonate even more powerfully. Despite being over half a century old, "Большой «Фитиль»" remains relevant today, as its themes of bureaucratic inefficiency, social hypocrisy, and the human condition continue to echo in contemporary society. The film's enduring appeal lies in its universal truths, wrapped in the unique context of Soviet life. For those interested in Soviet cinema, satire, or simply a good laugh with a thoughtful edge, "Большой «Фитиль»" is an essential watch that continues to spark conversation and reflection.
Год1963
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Жанрыкомедиямультфильм
Страны производстваSoviet Union
