Налево от лифта (1988)

"À gauche en sortir de l’ascenseur," a 1988 French film produced by Fideline Films and Orly Films, is a charming and insightful romantic comedy that delves into the complexities of modern relationships. Directed by Édouard Molinaro, the film stars Pierre Richard and Richard Bohringer as two neighbors who find themselves entangled in a humorous love triangle with the same woman, portrayed by Emmanuelle Béart. The film's title, which translates to "To the Left as You Leave the Elevator," cleverly refers to the apartment where much of the story unfolds, setting the stage for a series of comedic and heartfelt encounters. The film's strength lies in its witty dialogue and the chemistry between the lead actors. Pierre Richard's portrayal of the bumbling yet endearing Yann brings a light-heartedness to the film, while Richard Bohringer's more serious and introspective character, Boris, adds depth and contrast. Emmanuelle Béart's character, Florence, is the catalyst for the unfolding drama, navigating the affections of both men with grace and humor. The interactions between the characters are both believable and entertaining, making the film a delightful watch. Set against the backdrop of a Parisian apartment building, "À gauche en sortir de l’ascenseur" captures the essence of urban life in France during the late 1980s. The film's setting is not just a backdrop but an integral part of the narrative, reflecting the characters' lives and the societal norms of the time. The use of the apartment building as a central location adds a sense of intimacy and familiarity, drawing the audience into the characters' world. Overall, "À gauche en sortir de l’ascenseur" is a testament to the enduring appeal of romantic comedies. It successfully blends humor with poignant moments, offering a refreshing take on the genre. The film's clever script, strong performances, and evocative setting make it a memorable addition to French cinema, resonating with audiences who appreciate a well-crafted story about love, friendship, and the quirks of human nature.