Кошки-мышки (2023)

"Cat Person" (2023), a cinematic adaptation of Kristen Roupenian's viral New Yorker short story, emerges as a compelling exploration of modern dating dynamics, brought to life by the collaborative efforts of StudioCanal and The New Yorker Studios across France and the United States. Directed by Susanna Fogel, the film delves into the complexities of a seemingly innocuous relationship between college student Margot and the older Robert, unraveling the layers of miscommunication and power imbalances that define their interactions. With a screenplay co-written by Michelle Ashford, the narrative captures the essence of the original story while expanding its scope to address broader themes of consent, perception, and the digital age's impact on human connections. The film's strength lies in its nuanced portrayal of Margot, played with remarkable depth by Emilia Jones, who navigates the murky waters of her burgeoning relationship with Robert, portrayed by Nicholas Braun. Their chemistry, fraught with tension and uncertainty, mirrors the story's central theme of the disconnect between online personas and real-life encounters. The supporting cast, including Geraldine Viswanathan as Margot's friend Taylor, adds layers of humor and insight, enriching the film's examination of contemporary relationships. Visually, "Cat Person" employs a stylish yet understated aesthetic that complements its narrative. The cinematography, under the guidance of director of photography Manuel Billeter, captures the film's emotional landscape with a keen eye for detail, from the intimate close-ups that reveal Margot's inner turmoil to the wider shots that underscore the isolation she feels. The film's setting, primarily in and around a college campus, serves as a fitting backdrop for the exploration of youthful naivety and the harsh realities of adult relationships. Ultimately, "Cat Person" transcends its source material to offer a thought-provoking commentary on the intricacies of modern romance. It challenges viewers to reflect on their own experiences and perceptions, making it a resonant and timely addition to the cinematic landscape. Through its deft storytelling and compelling performances, the film not only entertains but also sparks important conversations about the nature of consent and the complexities of human interaction in the digital era.