У стэпфордских жен есть один секрет
Пережившая нервный срыв руководительница телекомпании Джоанна Эберхарт переезжает вместе с мужем Уолтером в городок Степфорд, штат Коннектикут, чтобы побыть вдали от стрессов большого города. Этот райский уголок на первый взгляд представляется идеальным. Но вскоре Джоанна и ее новая подруга Бобби замечают, в кажущейся безмятежности есть что-то странное, настораживающее. Да и местные домохозяйки ведут себя как-то уж слишком подозрительно: все одинаково приветливые, ухоженные и скучные, как роботы. Джоанна решает во что бы то ни стало докопаться до тайны, которую скрывает совершенный город и его безупречные жены…
"The Stepford Wives" (2004), a satirical thriller produced by Paramount Pictures and DreamWorks Pictures, offers a modern twist on Ira Levin's chilling novel. Directed by Frank Oz, the film transports viewers to the seemingly idyllic suburb of Stepford, Connecticut, where television executive Joanna Eberhart (Nicole Kidman) moves with her family. As Joanna begins to unravel the eerie perfection of her new neighbors, she discovers a sinister plot that challenges the very essence of individuality and autonomy. The film cleverly blends dark humor with social commentary, critiquing the pressures of conformity and the commodification of women in a patriarchal society. The cast, featuring powerhouse performances from Nicole Kidman, Matthew Broderick, and Bette Midler, brings depth and nuance to the film's exploration of gender roles and societal expectations. Kidman's portrayal of Joanna captures the tension between her professional ambitions and the Stepford ideal of the perfect housewife. Meanwhile, Bette Midler's character, Bobbie Markowitz, adds a layer of comic relief and fierce resistance against the town's oppressive norms. The dynamic between these characters, along with the supporting roles played by Glenn Close and Christopher Walken, enriches the narrative and underscores the film's themes. Visually, "The Stepford Wives" employs a vibrant yet unsettling aesthetic that mirrors the film's dual nature. The picturesque suburban setting, with its manicured lawns and pristine homes, serves as a stark contrast to the underlying horror. Cinematographer Rob Hahn's use of color and lighting enhances the film's atmosphere, creating a sense of unease that builds throughout the story. The production design, led by Jackson De Govia, further emphasizes the artificiality of Stepford, with its robotic inhabitants and eerily perfect environments. Despite mixed reviews upon its release, "The Stepford Wives" remains a thought-provoking film that resonates with contemporary audiences. Its exploration of conformity, identity, and the dangers of unchecked technological advancement feels increasingly relevant in today's world. While the film takes liberties with the source material, it successfully captures the essence of Levin's cautionary tale, delivering a compelling and entertaining critique of societal norms.
Год2004
Бюджет90000000$
Продолжительность93 мин
Доход102000000$
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Жанрыкомедияфантастикаужасы
Страны производстваUnited States of America
