For the bourgeois she was and she is a prostitute
A film adaptation of the short story of the same name by Guy de Maupassant. The action takes place in the XIX century. Franco-Prussian War of 1870. A group of French bourgeois leaves in a stagecoach from Rouen occupied by Prussian troops. Along with them comes one attractive demimonde lady. The only way to get out is to persuade her, nicknamed "Ball-of-Fat" a la "Boule-de-Suif" to satisfy the lust of the head of the gendarmerie...
"Пышка" (1934), a cinematic gem produced by Mosfilm in the Soviet Union, is an adaptation of Guy de Maupassant's renowned short story "Boule de Suif." Directed by Mikhail Romm, the film masterfully captures the essence of the original narrative, set during the Franco-Prussian War. The story revolves around a group of French passengers, including the titular character, a prostitute named Пышка, who are forced to share a stagecoach while fleeing from the advancing Prussian army. The film's strength lies in its poignant portrayal of class divisions and moral hypocrisy, themes that resonate deeply with the socio-political context of the Soviet Union during the 1930s. The character of Пышка, portrayed with remarkable depth by actress Galina Sergeyeva, serves as the moral compass of the film. Despite her societal status, she exhibits a profound sense of compassion and selflessness, starkly contrasting with the self-serving nature of her fellow travelers. As the group is detained by Prussian officers, Пышка's refusal to comply with their demands for her services leads to tension and eventual betrayal by her companions. This narrative arc not only highlights the societal double standards but also critiques the bourgeoisie's moral decay, a theme that was particularly relevant in the Soviet Union's ideological landscape. Mikhail Romm's direction brings a unique visual and emotional intensity to the film. The use of close-ups and the stark black-and-white cinematography enhance the dramatic tension and underscore the characters' internal conflicts. The film's setting, meticulously recreated to reflect the period's atmosphere, adds a layer of authenticity that immerses the audience in the story. Romm's ability to weave social commentary with compelling storytelling makes "Пышка" a standout piece of Soviet cinema, reflecting the era's artistic and ideological aspirations. "Пышка" remains a significant work in the history of Soviet film, not only for its faithful adaptation of Maupassant's story but also for its bold exploration of social issues. The film's enduring relevance lies in its universal themes of morality, class struggle, and human dignity, which continue to resonate with audiences today. As a product of Mosfilm, "Пышка" exemplifies the studio's commitment to producing films that challenge societal norms and provoke thought, cementing its place as a classic in the annals of cinema.
Năm:1934
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Thể loạiPhim Chính Kịch
Các quốc gia sản xuấtSoviet Union
