木匠出身的耶稣经常为偏头痛所折磨，他在朦胧中感到了上帝的召唤，意识到自己将作为救世主，牺牲自己去拯救世界。他开始了在沙漠中自我放逐的40天的寻道之旅。当耶稣的精神战胜肉体，他就无所不能，甚至挖出自己的心脏给门徒看，叫苹果树立刻生长结果。但是他无法驱逐自己的内心的魔鬼，也无法平息对于自我的犹疑，他表现出一个普通人所具有的惶惑和忧虑，倒是犹大不断的安慰和鼓励他。耶稣在人性和神性之间摇摆。清醒后的耶稣指使犹大去向当局告发自己，以帮助自己实现为世人赎罪的使命。几天之后，头戴荆冠的耶稣被罗马士兵钉到十字架上。耶稣在十字架上忍受着巨大痛苦，恍惚中有一位天使告诉他上帝已经解除了他的责任，从此可以过上正常的生活。耶稣在天使的陪同下走下了十字架，像普通人一样娶妻生子……
"The Last Temptation of Christ," released in 1988 and produced by Universal Pictures and Cineplex-Odeon Films, is a cinematic exploration of the human side of Jesus Christ. Directed by Martin Scorsese and based on Nikos Kazantzakis's novel, the film delves into the internal struggles and temptations faced by Jesus, portrayed by Willem Dafoe. Unlike traditional portrayals, this film presents a Jesus who grapples with doubt, fear, and the very human desire for a normal life, making it a controversial yet thought-provoking piece of cinema. The narrative follows Jesus as he wrestles with his divine mission and the overwhelming burden it places upon him. His journey is marked by moments of profound introspection and encounters with key figures such as Mary Magdalene (Barbara Hershey) and Judas Iscariot (Harvey Keitel). The film's bold approach to depicting these relationships, particularly the imagined life Jesus envisions with Mary Magdalene, sparked significant controversy upon its release. Critics and religious groups debated its theological implications, yet many praised its artistic merit and the depth it brought to the character of Jesus. Scorsese's direction is both visually and emotionally compelling, using stark imagery and a haunting score to enhance the film's introspective tone. The Last Temptation of Christ challenges viewers to consider the humanity of a figure often depicted solely in divine terms. By focusing on Jesus's internal conflicts and the temptations he faces, the film offers a unique perspective on the nature of faith and sacrifice. This approach not only humanizes Jesus but also invites audiences to reflect on their own struggles with belief and purpose. Despite the initial backlash, "The Last Temptation of Christ" has endured as a significant work in the realm of religious cinema. Its exploration of the duality of Jesus's nature—both human and divine—continues to resonate with viewers, prompting discussions about the complexities of faith and the personal cost of spiritual conviction. The film's legacy lies in its courage to portray a deeply personal and often controversial interpretation of one of history's most iconic figures, making it a timeless piece of cinematic art.
年份1988
预算7000000$
收入33773585$
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类型剧情
制作国家United States of AmericaCanada
