Freedom? What's that?
电影公司「日活」创业百年，最具代表性的一个品牌，是在七、 八十年代风靡一时的「粉红映画」（日文叫Roman Porno，海外称之为Pink Movie），亦即是浪漫化的成人电影。今年适逢「粉红映画」诞生四十五周年，「日活」特别筹划了「Roman Porno Reboot」计划，找来园子温、行定勳、中田秀夫、盐田明彦、白石和弥五位名导操刀，各拍一部粉红片。五人要跟足过往的游戏规则：每十分钟要有一场情慾戏、片长必须在七十至八十分钟之间、一律只有很低的製作费、要一星期内完成拍摄，其他一切自由发挥。结果证明五位导演不但玩得起，而且还玩得极有一手。盐田的《湿濡的女人》最先曝光，重新演绎「粉红」经典《湿濡的恋人们》，讲野性少女在海边故意湿身，然后贱价卖身给路过的男人。白石执导的《雌猫们》同样向经典《雌猫们之夜》致敬，新版搬到池袋街头上演，讲在网吧打趸的难民、单亲妈妈和不育人妻在夜间浪荡的性活动。行定勳的《撩乱的裸舞曲》则是原创故事，谐星板尾创路演脑闭塞导演，陷入了女色陷阱，搞到身败名裂。《午夜凶铃》导演中田秀夫初战成人世界，打动了九十后女优飞鸟凛全裸演出女同志故事《白百合》。向来出位的园子温就尽展其反叛本色，以毒攻毒，用色情反色情拍了《Antiporno》，找来前AKB成员富手麻妙首次全裸主演。「粉红映画」之所以留名几十年，是因为「淫」得有道，成本低但剧本扎实，而且是当时年轻新导磨练技艺的修罗场，《礼仪师》奥斯卡导演泷田洋二郎、《谈谈情，跳跳舞》的周防正行、《死亡笔记》的金子修介、《后乐园》已故导演森田芳光等大导出道时都拍过粉红片。停产了廿八年的粉红系列今次一口气推出五片，别具意义，将陆续于十一月底起在日本上映。
"アンチポルノ" (2017), a film produced by Django Films and Nikkatsu Corporation, is a bold and provocative exploration of the intersection between art, sexuality, and societal expectations. Directed by Sion Sono, the film delves into the life of Kyoko, an actress who is cast in a pink film—a genre of Japanese softcore pornography. As Kyoko navigates the blurred lines between her role and her reality, the film challenges the audience to question the nature of performance and the commodification of the female body. The narrative structure of "アンチポルノ" is as unconventional as its subject matter. The film oscillates between Kyoko's on-screen performances and her off-screen struggles, creating a disorienting yet captivating experience. Sion Sono masterfully employs vibrant colors and surreal imagery to enhance the film's thematic depth, making it a visual feast that complements its intellectual provocations. The use of meta-narrative elements further complicates the viewer's perception, inviting them to reflect on the voyeuristic nature of cinema itself. At its core, "アンチポルノ" is a critique of the exploitation inherent in the pink film industry, yet it does so without resorting to didacticism. Instead, it presents a nuanced portrayal of Kyoko's journey, highlighting her agency and resilience amidst the chaos of her professional and personal life. The film's unflinching gaze at the realities faced by women in the entertainment industry is both a celebration of their strength and a condemnation of the systems that seek to control them. In conclusion, "アンチポルノ" stands out as a daring cinematic achievement that pushes the boundaries of traditional storytelling. Its fearless exploration of complex themes, combined with its striking visual style, makes it a must-watch for those interested in the intersection of art and social commentary. Sion Sono's direction, coupled with the compelling performance of the lead actress, ensures that the film leaves a lasting impact on its audience, prompting them to reconsider their own perceptions of art, sexuality, and the human condition.
年份2017
主页 https://www.nikkatsu.com/movie/32958.html
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类型剧情悬疑
制作国家Japan
