1907年圣诞，艾柯达家族两代人共享圣诞晚宴，其乐融融。可好景不长，小主人公亚历山大（伯特·格福Bertil Guve饰）和芬妮（妮拉·艾尔温Pernilla Allwin饰）的父亲奥斯卡（艾伦·艾德沃 Allan Edwall饰）在排练《哈姆雷特》时突然中风，弥留之际把苦心经营的大剧院托付给妻子艾米莉（艾娃·弗洛灵 Ewa Froling饰）。一年后艾米莉带着一双儿女改嫁冷酷残暴的青年主教爱德华。爱德华的母亲和姐姐专横刻薄，亚历山大与继父的矛盾日益尖锐，却只能默默忍受。当老祖母海伦娜（古娜·沃根Gunn Wallgren饰）得知此事后，暗中请老友帮忙，终让孩子们重获自由。艾米莉也逃离了主教家，从此一家人再次团聚享受着天伦之乐。 本片获得第56届奥斯卡最佳摄影、最佳艺术指导、最佳服装设计和最佳外语片等多项大奖。
"Fanny och Alexander" (1982), a cinematic masterpiece directed by Ingmar Bergman, is a poignant exploration of the human condition set against the backdrop of early 20th-century Sweden. Produced by Cinematograph AB and the Svenska Filminstitutet, with co-production from Germany, the film delves into the lives of the Ekdahl family, focusing primarily on the titular siblings, Fanny and Alexander. The narrative unfolds with a rich tapestry of familial bonds, loss, and resilience, as the children navigate the complexities of their world following the death of their father and their mother's subsequent remarriage to the austere Bishop Edvard Vergérus. Bergman's meticulous attention to detail and his ability to weave together the mundane with the mystical create a film that is both grounded and ethereal, offering viewers a profound meditation on life's joys and sorrows. The film's visual splendor is a testament to the collaborative genius of Bergman and his cinematographer, Sven Nykvist. Each frame is meticulously crafted, with the warm, opulent interiors of the Ekdahl home contrasting sharply with the cold, austere environment of the Bishop's residence. This visual dichotomy not only enhances the storytelling but also serves as a metaphor for the emotional landscapes the characters traverse. The use of color and light is particularly striking, with Nykvist's camera capturing the nuances of emotion through subtle shifts in the palette, from the vibrant hues of familial gatherings to the muted tones of grief and oppression. At its core, "Fanny och Alexander" is a story about the resilience of the human spirit. The titular characters, portrayed with remarkable depth by Pernilla Allwin and Bertil Guve, embody the innocence and strength that allow them to endure the trials imposed upon them. Their journey is one of loss and rediscovery, as they navigate the harsh realities of their new life under the Bishop's oppressive rule and eventually find solace and liberation through the intervention of their eccentric Uncle Isak and his mysterious household. The film's exploration of themes such as freedom, creativity, and the power of imagination resonates deeply, offering a timeless reflection on the human capacity to overcome adversity. Bergman's decision to release "Fanny och Alexander" in both a theatrical version and an extended television miniseries format speaks to the film's expansive narrative and its ability to engage audiences in different ways. The theatrical cut, while condensed, retains the essence of the story, while the longer version allows for a more immersive experience, delving deeper into the characters' lives and the intricacies of their relationships. This dual approach underscores Bergman's commitment to storytelling and his desire to provide viewers with a comprehensive understanding of the Ekdahl family's journey. "Fanny och Alexander" remains a landmark achievement in cinema, celebrated for its emotional depth, visual artistry, and enduring relevance.
年份1982
主页 http://www.orionpictures.com/view/movie/633/Fanny-And-Alexander/
预算6000000$
收入6800000$
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类型奇幻剧情悬疑
制作国家SwedenGermanyFrance
