Enjoy it while it lasts
故事发生在一对姐妹——贾斯汀和卡莱尔之间。姐妹俩原先关系亲密,可是随后却渐行渐远。浪漫之夜,才华横溢的美丽少女贾斯汀和心爱的麦克步入婚礼殿堂,姐姐克莱尔和家人们为了她一掷千金,尽心操持。然而莫名的恐慌与悲伤袭上心头,令贾斯汀整晚郁郁寡欢,她的婚姻刚刚开始就已到了破败的边缘,与亲友同事的关系也变得分外紧张。克莱尔试图将妹妹带出忧郁症的困扰,然而收效甚微。与此同时,一颗神秘的小行星正向地球飞速逼近,似乎正是它带来了贾斯汀的忧郁,又似乎那原本郁结心中的烦恼只不过被它释放了而已……
"Melancholia," a 2011 cinematic masterpiece produced by Zentropa Entertainments and Memfis Film in Denmark and France, is a haunting exploration of existential dread and cosmic insignificance. Directed by Lars von Trier, the film delves into the psychological unraveling of its protagonist, Justine, portrayed with raw intensity by Kirsten Dunst. As the story unfolds, a rogue planet named Melancholia looms ever closer to Earth, serving as a metaphor for the impending doom that Justine feels internally. The film's opening sequence, a slow-motion montage set to Wagner's "Tristan und Isolde," sets a tone of inevitable catastrophe, drawing viewers into a world where personal and planetary collapse are inextricably linked. The narrative is divided into two distinct parts, each focusing on a different sister: Justine and Claire. In the first part, we witness Justine's descent into depression on her wedding day, despite the efforts of her sister Claire (Charlotte Gainsbourg) and brother-in-law John (Kiefer Sutherland) to keep the celebration afloat. The opulent setting juxtaposed with Justine's growing detachment creates a palpable tension, highlighting the disparity between societal expectations and personal turmoil. The second part shifts focus to Claire, who grapples with her own fears as Melancholia's approach becomes undeniable. Her anxiety contrasts sharply with Justine's eerie calm, illustrating the varied ways individuals confront their mortality. Visually, "Melancholia" is a stunning achievement, with cinematographer Manuel Alberto Claro's use of light and shadow enhancing the film's melancholic atmosphere. The deliberate pacing allows for moments of quiet introspection, punctuated by bursts of emotional intensity. The film's use of symbolism, particularly the recurring image of horses, adds layers of meaning, representing both freedom and impending doom. The performances are uniformly excellent, with Dunst delivering a career-defining portrayal of depression, earning her the Best Actress award at the Cannes Film Festival. "Melancholia" is not merely a film about the end of the world; it is a profound meditation on the human condition, exploring themes of despair, acceptance, and the search for meaning in the face of oblivion. Lars von Trier's bold vision and unflinching approach to storytelling make this film a compelling, if unsettling, experience. It challenges viewers to confront their own fears and anxieties, ultimately leaving them with a sense of the sublime beauty found in life's impermanence.
年份2011
预算7400000$
收入15946321$
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类型剧情科幻
制作国家DenmarkFranceGermanySweden