A dazzling movie.
马塞洛（让-路易斯·特林提格南特 Jean-Louis Trintignant 饰）是意大利法西斯组织的一员，他的新任务是到巴黎除掉他以前大学时候的教授 卢克·夸德里（Enzo Tarascio 饰），一个反法西斯组织的成员。于是马塞洛以和未婚妻朱利亚（斯蒂芬尼娅·桑德雷莉 Stefania Sandrelli 饰）到巴黎度蜜月为借口，到教授家拜访。和马塞洛一起执行任务的还有伪装成他的司机的曼加涅略（Gastone Moschin 饰)。在教授家，马塞洛被教授的年轻妻子安娜（多米尼克·桑达 Dominique Sanda 饰）深深吸引。马塞洛的同伴曼加涅略不断催促他除掉教授，然而他迟迟不愿下手。曼加涅略得知了教授和他的妻子将到野外去，于是准备独自进行刺杀任务......
"Il conformista" (1970), a cinematic masterpiece directed by Bernardo Bertolucci, is a profound exploration of fascism, identity, and conformity set against the backdrop of 1930s Italy. Produced by Marianne Productions and Maran Film in a collaboration between Germany and France, the film delves into the life of Marcello Clerici, portrayed with chilling precision by Jean-Louis Trintignant. Marcello, a man haunted by his past and desperate to fit into the fascist regime, embarks on a mission to assassinate his former professor, now an anti-fascist living in Paris. The film's lush visuals and meticulous attention to detail create an atmosphere that is both beautiful and unsettling, reflecting the internal conflict of its protagonist. The narrative of "Il conformista" is as much about Marcello's personal journey as it is a critique of the fascist ideology that pervades his world. Bertolucci masterfully uses the film's setting to underscore the themes of conformity and repression. From the stark, oppressive architecture of Mussolini's Rome to the more liberated, yet ultimately dangerous, streets of Paris, the film's environments serve as a constant reminder of the forces shaping Marcello's life. The film's use of color and shadow further enhances its thematic depth, with the vibrant hues of Italy contrasting sharply with the darker tones of Marcello's inner turmoil. One of the most striking aspects of "Il conformista" is its exploration of sexuality and identity. Marcello's repressed homosexual desires and traumatic childhood experiences drive his need to conform, making him a willing participant in the fascist machine. The film does not shy away from depicting the psychological toll of living under such a regime, and it is through Marcello's interactions with his wife, Giulia, and his professor's wife, Anna, that we see the human cost of his choices. The performances of Stefania Sandrelli and Dominique Sanda as Giulia and Anna, respectively, add layers of complexity to the narrative, highlighting the film's nuanced portrayal of gender and power dynamics. Ultimately, "Il conformista" stands as a timeless critique of the dangers of conformity and the moral compromises individuals make to belong. Bertolucci's direction, combined with the film's stunning cinematography by Vittorio Storaro, creates a visual and emotional experience that resonates long after the credits roll. The film's relevance endures, serving as a poignant reminder of the fragility of personal and political freedom in the face of oppressive regimes. "Il conformista" is not just a film about a man's struggle to fit in; it is a powerful statement on the human condition and the lengths to which we will go to avoid standing out.
年份1970
预算750000$
收入233493$
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类型剧情
制作国家GermanyFranceItaly
