Encyclopédie audiovisuelle du cinéma (季节 1)

Produced for television by Claude-Jean Philippe, the « Encyclopédie audiovisuelle du cinéma », recounts the history of French cinema from its birth to the beginning of the 1960s. With commentary read by Jean Rochefort.

  • Poster for Les inventeurs ou la rencontre des photographes et des fantômes

    Les inventeurs ou la rencontre des photographes et des fantômes (集 1)

    播出日期: 1978-09-24

    概述: Claude-Jean Philippe sees the invention of cinema as the meeting of photographers and ghosts. This film chronologically follows the progress of two inventions: Joseph Plateau's discovery of the persistence of retinal images, the perfection of his phenakitiscope, and Nieppe's invention of photography. The Lumière brothers' cinematograph is the culmination of this double discovery.

  • Poster for Lumière et le cinématographe

    Lumière et le cinématographe (集 2)

    播出日期: 1978-10-01

  • Poster for Méliès ou le génie de la surprise

    Méliès ou le génie de la surprise (集 3)

    播出日期: 1978-10-08

  • Poster for Le cinéma forain

    Le cinéma forain (集 4)

    播出日期: 1978-10-15

  • Poster for Episode 5

    Episode 5 (集 5)

    播出日期: 1978-10-22

  • Poster for Episode 6

    Episode 6 (集 6)

    播出日期: 1978-10-29

  • Poster for Episode 7

    Episode 7 (集 7)

    播出日期: 1978-11-05

  • Poster for Episode 8

    Episode 8 (集 8)

    播出日期: 1978-11-12

  • Poster for Episode 9

    Episode 9 (集 9)

    播出日期: 1978-11-19

  • Poster for Episode 10

    Episode 10 (集 10)

    播出日期: 1978-11-26

  • Poster for Episode 11

    Episode 11 (集 11)

    播出日期: 1978-12-03

  • Poster for Episode 12

    Episode 12 (集 12)

    播出日期: 1978-12-10

  • Poster for Les Années 20: De l'impressionnisme au cinéma pur

    Les Années 20: De l'impressionnisme au cinéma pur (集 13)

    播出日期: 1978-12-17

    概述: Cinema owes a lot to this experimental laboratory that was the French avant-garde between 1919 and 1924. Based on this observation by Henri Langlois, Claude-Jean Philippe shows that these filmmakers (Louis Delluc, Marcel L'Herbier) accused their difference, like the impressionist group. On the other hand, at the end of the 1920s, everyone dreamed of a "pure cinema".

Encyclopédie audiovisuelle du cinéma